The Church of Caucasian Albania constitutes a distinctive yet often overlooked element within the broader narrative of Eastern Christianity, positioned at the intersection of cultural and geopolitical dynamics in the South Caucasus (Hewsen 2001). This investigation posits that the Albanian Church functioned as an autonomous ecclesiastical institution, cultivating a singular Christian identity by integrating indigenous Caucasian customs and doctrinal influences from prominent regional Christian centers (Dasxuranci 1961; Aleksidze and Mahe 2008). In terms of its material-cultural legacy, architectural ensembles such as the monasteries of Gandzasar and Amaras stand out, differentiated from analogous Georgian and Armenian structures by unique planimetric configurations, structural innovations, and the incorporation of pre-Christian architectural motifs (Akhundov 1986; Aliev and Mamedzade 1997). The assertion of the Albanian Church’s distinctive material and religious heritage is bolstered by its long-standing autocephaly, formally established at the Council of Aghuen in the fifth century, following the adoption of Christianity as the state religion (Dasxuranci 1961). This autocephalous status was underpinned by the political sovereignty of the Albanian polity and embodied a pursuit of canonical independence (Dasxuranci 1961; Guseinov 2017). Nevertheless, evolving geopolitical circumstances, notably the Arab conquest, precipitated the erosion of Albania’s political autonomy circa 705 CE (Dasxuranci 1961; Hewsen 2001). As a result, the Albanian ecclesiastical hierarchy became subsumed under the Armenian Church, eventually manifesting as the Catholicosate of Aghvank (Dasxuranci 1961; Hewsen 2001). This trajectory culminated in 1836, when the Russian Empire formally dissolved the Catholicosate, reallocating its assets and ecclesiastical oversight to the Armenian Apostolic Church (Guseinov 2017). In contemporary scholarship, the historical and cultural patrimony of Caucasian Albania remains embroiled in contentious historiographical discourses, often marred by allegations of distortion and leveraged to underpin modern political and territorial assertions in the South Caucasus (Mamedova 1977; Hewsen 2001). Against this backdrop, the resurgence of Albanian heritage and the establishment of Albanology — the study of Caucasian Albania — as an autonomous academic discipline, predicated on objective, evidence-based, and apolitical methodologies, assume heightened importance (Niyazievich 2024). This inquiry seeks to offer a judicious reassessment of Albanian heritage, framing it not as a peripheral footnote but as an essential and autonomous facet of the Caucasus’s religious and linguistic milieu (Schulze 2005; Gippert 2015). The examination delineates the Albanian Church’s historical evolution, encompassing its apostolic foundations and era of institutional autonomy (fifth to sixth centuries), through the progressive diminution of its autocephaly and its ultimate dissolution in the nineteenth century (Dasxuranci 1961; Guseinov 2017). This analysis underscores the intricate historiographical terrain surrounding this heritage, wherein empirical evidence is frequently co-opted for contemporary geopolitical agendas (Mamedova 1977; Guseinov 2017). Accordingly, the present work contests oversimplified narratives from diverse perspectives, advocating recognition of the Albanian Church’s independent identity, forged through a multifaceted amalgamation of endogenous traditions and exogenous theological paradigms (Aleksidze and Mahe 2008; Schulze 2005).
Keywords: Catholicosate of Albania, Azerbaijan, Albano-Udi Church, Shurtvats, Udis, Falsification.
For citation
Gulu-Zada A. The Christian Heritage of Caucasian Albania: History, Identity, and Legacy. Theology: Theory and Practice, 2026, vol. 5, no. 1, pp. 112–121. https://doi.org/10.65324/ttp021